“Digital Art and the Sense of Embodiment: An Experimental Aesthetics Project in Virtual Reality.” 4th Art + Science Conference on Empirical Methods in Art History and Visual Studies University of Vienna, Department of Art History, July 4-5, 2019
“Ekphrastic Fear/Ekphrastic Hope: On Border Crossings and Fellini’s Film-Painting Fusions.” 2nd international conference of the Journal of Italian Cinema and Media Studies: Global Intersections and Artistic Interconnections ─ Italian Cinema and Media across Times and Spaces; American University of Rome, Italy, 14-15 June 2019.
“Possible Effects of Contemporary Visual Art on the Sense of Embodiment." IDC Herzliya, Symposium: Body, Self, and Other, 11 April 2019
"Experimental Filmmakers Going Digital: Ken Jacobs, Ernie Gehr, Phil Solomon", NECS, European Network for Cinema and Media Studies. 27-29 June 2018, Amsterdam University.
"Shifting Sands: Sand as Medium in Israeli New Media Art". Media Art History: Re-Trace 2017. 23-25 November 2017, Danube University Krems, Austria.
"'Screen-deep': Contemporary Video Art, Haptic Arousal, and Presence". NECS European Network for Cinema and Media Studies. 29 June – 1 July, Université Sorbonne Nouvelle - Paris 3.
“’Moving Pictures’: A Neurohaptic Investigation of Contemporary Video Art”. Society for Cognitive Studies of the Moving Image, Cornell University, 1-4 June 2016
“Diasporic Skins: A Somatocultural Exploration of the 56th Venice Biennial”. Association of Art Historians 42nd Annual Conference, University of Edinburgh, 7-9 April 2016
“Filmmaking on the Streets of Grand Theft Auto: Phil Solomon”. College Art Association 104th Annual Conference, Washington DC, 3-6 February 2016
“Filmmaking on the Streets of Grand Theft Auto”, ISEA (International Symposium on Electronic Art), 14-18 August 2015, Vancouver, Canada (accepted, declined participation)
“Experimental Cinema Enters the Worlds of Gaming: Considering Phil Solomon’s Recent Works”, Society for Cinema and Media Studies 2014 conference, Seattle, Washington, 19-23 March 2014
“The Body Restored in Celluloid: Phil Solomon’s Psalm Series (1999-2002)”, World Congress of Jewish Studies, Hebrew University, 28 July- 1 August 2013
“Haptic Pleasures of the Moving Image: Texture and Tactility in Contemporary Moving Image Art”, London Film and Media Symposium, University of London, 27-29 June 2013 (accepted, declined)
"Re-Framing the Still Life: Ekphrasis in Contemporary Video Art, the Case of Ori Gersht and Sam Taylor Wood", 38th Association of Art Historians Conference, 29-31 March 2012, Milton Keynes, UK
"Is Painting Still in the Picture? The Return of Painting in New Media Art and Aesthetics", Rendering the Visible, Georgia State University, Atlanta, 10-11 February 2011
"David Cronenberg's eXistenZ and the Flesh of Virtual Reality", 11th International Conference Consciousness Reframed, "Making Reality Really Real", TEKS – Trondheim Electronic Arts Centre, in cooperation with the Planetary Collegium at the University of Plymouth, England. Trondheim, Norway, 4-6 November 2010
"Art History Meets the Moving Pictures: A Multidisciplinary Approach to the Study of Fellini's Cinematic Discourse", E·X·P·E·R·T·I·S·E: Media Specificity and Interdisciplinarity, Tel Aviv University, 31 May – 4 June 2009
"Miniature Tombstones from the Cyprus Detention Camps: A Creative Response to Obstructed Processes of Mourning in Holocaust Survivors", Women and the Holocaust: Creativity and the Arts in the Holocaust – A Gendered Perspective, Beit Berl College, 26-28 October, 2009
“Jungian Imagery in Fellini’s Graphic and Cinematic Oeuvre”, Felliniana, University of Washington, Seattle, 28 October-1 November 2003