Munk, Yael. "The Impossible Homecoming: The Israeli Television Series Prisoners of War (Hatufim)," in Israeli Television: Global Contexts, Local Visions, eds. Miri Talmon and Yael Levy, Routledge, 2020: 84-95.
Munk, Yael. "The Rise and Fall of the New Man: The Kibbutz in Contemporary Israeli Cinema.” in Between the Private and the Collective in the Jewish Settlement in Eretz Israel, eds. Yhiam Weitz and Ofira Gruweiss (Herzel Institute for the research of Zionism, Haifa University, 2020), 146-163. [Hebrew]
Munk, Yael. “Attempting to Remember What They Never Knew: The Identity Quest of Second and Third Generation Holocaust Survivors as Reflected in Recent Israeli Documentaries,” in Translated Memories: Transgenerational Perspectives on the Holocaust, eds. Bettina Hofmann and Ursula Reuters (Lexington Books, 2020), 291-305.
Munk, Yael. “Israeli Television Documentaries: Their Role in Expanding the Boundaries of Holocaust Memory Discourse” Volkermord zur Prime Time, Der Holocaust im Fernsehem, edited by Judith Keilbach, Bela Rasky and Jana Starek. Wien & Hamburg, New Academic Press, 2019pp. 227-240.
Munk, Yael. "Rafi Bukai's Avanti Popolo: Telling the War from the Traumatized Perpetrator’s Perspective," in New Perspectives on War Films, eds. Clementine Tholas, Janis Goldie and Karen Ritzenhoff (Palgrave McMillan, 2019), 59-79.
Munk, Yael. "The Borders We Cross in Search of a Better World: On Border Crossing in Three of Amos Gitai's Feature Films," in Border Cinema: Reimagining Identity through Aesthetics, eds. Monica D. Hanna and Rebecca A. Sheehan (Rutgers University Press, 2019), 179-194.
Munk, Yael. “Feminist Israeli Cinema: Fighting Prejudices Against Female Prostitution,” in Prostitution, Pornography and Trafficking in Women: Israel's Blood Money, eds. Erella Shadmi and Esther Herzog (Abingdon & New York: Routledge, 2019), 147-157.
Munk, Yael. "Israeli Cinema's Interpretation of the Biblical Imperative of Colonization," in Colonization and the Bible: Contemporary Reflections from the Global South, eds. Tat-siong Benny Liew and Fernando F. Sergovia (Lexington Books, 2019), 87-101.
Munk. Yael. "La découverte du visage de l'Autre dans le nouveau cinema israelien," in UL3: Regards sur le Proche Orient Eclate-Complexe-Paradoxal, eds. Francoise Saquer-Sabin et Emmanuel Persyn (Lille: Université de Lille, 2016), 261-370.
Munk, Yael. “La Dépolitisation du Nouveau Cinéma Israélien,” in Israéliens, Palestiniens: Les Cinéastes Témoignent, eds. Janine Halbreich-Euvrard and Carol Shyman (Editions: Riveneuve, 2015), 18-26.
Munk, Yael. "Memory of a Death Foretold: Fathers and Sons in Assi Dayan's 'Trilogy'.” in Deeper than Oblivion: Trauma and Memory in Israeli Cinema, eds. Raz Yosef and Boaz Hagin (New York and London: Bloomsburry, 2013), 147-165.
Munk, Yael. “Father's Truth and Lies Game: On Peter Weir's 'The Truman Show'," in Play: Psychoanalytic Perspectives, Survival and Human Development, ed. Emilia Perroni (London and New York: Routledge, 2013), 172-180.
Munk, Yael. "The Palestinian Narrative in Nurith Gertz’s Research," in Identities in Transition in Israeli Culture, eds. Sandra Meiri, Liat Steir-Livny, Adia Mendelson-Maoz and Yael Munk (The Open University Press, 2013) [Hebrew].
Munk, Yael. "From National Heroes to Postnational Witnesses: A Reconstruction of Israeli Soldiers’ Cinematic Narratives as Witnesses of History,” in Narratives of Dissident: War in Contemporary Israeli Arts and Culture, eds. Ranen Omer-Sherman and Rachel S. Harris (Detroit: Wayne State University Press, 2012), 300-316.
Munk, Yael. “The Privatization of War Memories in Recent Israeli War Films,” in Israeli Cinema: Identities in Motion, eds. Miri Talmon and Yaron Peleg (Austin: University of Texas Press, 2011), 96-109.
Munk, Yael. “Israeli Cinema Engaging the Conflict” (co-authored with Nurith Gertz), in Film in the Middle East and North Africa: Creative Dissidence, ed. Josef Gugler (Austin: University of Texas Press, 2011), 154-166.
Munk, Yael. “Kedma (Amos Gitai): The Birth of Two Nations in 1948” (co-authored with Nurith Gertz and Gal Hermoni), in Film in the Middle East and North Africa: Creative Dissidence, ed. Josef Gugler (Austin: University of Texas Press, 2011), 167-176.
Munk, Yael. “Avanti Popolo (Rafi Bukaee): Battle Cry of the Fallen” (co-authored with Judd Ne’eman), in Film in the Middle East and North Africa: Creative Dissidence, ed. Josef Gugler (Austin: University of Texas Press, 2011), 177-184.
Munk, Yael. “’This is the Way Terrorists Grow Up’: Some Cinematic Insights on the Occupation,” in 40 Years of Occupation: The Affects on Israeli society, ed. Ephraim Lavie (Tel-Aviv: Tel-Aviv University Press, 2009), 163-170 [Hebrew].
Munk, Yael. “’Guarda Loro E Vedrai Noi’: Tendenze Produttive nel Documentario Israeliano Contemporaneo,” in Il Cinema Israeliano Comtemporaneo (Venezia: Marsilio Editori, 2009), 167-184.
Munk, Yael. “I Dissidenti Doc: Amos Gitai, Avi Mograbi, Eyal Sivan,” in Il Cinema Israeliano Comtemporaneo (Venezia: Marsilio Editori, 2009), 185-194.
Munk, Yael. “Amos Gitai: Challenging the Blind Spots of Israeli Identity,” in Munio Weinraub – Amos Gitai Exhibition: Architecture and Film in Israel (Munich: Minerva Editions, 2008) [English and German].
Munk. Yael. “The Return of the Repressed: Sexual Stereotypes of the Old Jew: The Case of Gift from Heaven” (co-authored with Sandra Meiri), in Jew and Sex: An Anthology, ed. Nathan Abrams (Nottingham: Five Leaves Publications, 2008), 66-76.
Munk, Yael. “Motherhood as an Oppositional Standpoint: on Michal Aviad’s For My Children,” in Gender in Conflicts: Palestine-Israel- Germany, eds. Christina von Braun and Ulrike Auga (Berlin: LIT Verlag, 2007), 143-148.
Munk, Yael. “Behind Romeo, Behind Juliet: The Conflict,” in Documentaly: Articles on Documentary Cinema in Israel, ed. Ma'ayan Amir (Am Oved Publishers, 2007), 236-244 [Hebrew].
Munk, Yael. “Israeli Cinema: Hebrew Identity/Jewish Identity” (co-authored with Nurith Gertz), in New Jewish Time: Jewish Culture in a Secular Age (vol. 3), eds. Dan Meiron and Hanan Hever (Keter Publishers, 2007), 269-276 [Hebrew].
Munk, Yael. “Frontières de conflit, frontières de représentation : sur le film d'Anat Even et Ada Ushpiz Enchainées,” in Israéliens, Palestiniens : que peut le cinéma ? ed. Janine Euvrard (Paris : Editions Michalon, 2005)
Munk, Yael. “La maternité comme attitude oppositionnelle : sur For my Children (2002) de Michal Aviad,” in Israeliens, Palestiniens : que peut le cinéma ? ed. Janine Euvrard (Paris: Editions Michalon, 2005)
Munk, Yael. "‘The Truman Show' or ‘when the father collapses’,” in Game: A Look from Psychoanalysis and from Elsewhere, ed. Emilia Perroni (Yediot Aharonot Publishers, 2002) [Hebrew]