36 intelligence revealed challenged the traditional concept of the gaze, offered a different interpretation of space and structure concepts, and allowed us to rethink the whole experience of how we walk through this architectural structure. Thus, an ongoing dialogue was created between our gaze and the machine's, to the point where reality and imagination could no longer be separated. Carmit: You are both well-known and senior artists who have also taught together and maintained a dialogue for several years now. Is this the first time you are making art and exhibiting together? How did this duo come about? Shirley and Tal: The dialogue between us actually started as fellow lecturers at the Shenkar School of Multidisciplinary Art and not as artists and, in recent years, collaborations have formed between us around exhibitions and creation processes in the studio. We realized it was time to create a joint project in the gallery and not just one that existed behind the scenes. Our approaches to photography and thinking about the medium are very different but, precisely because of this, other ways opened up for us to dialogue and observe the photographic medium and the possibilities inherent in the interface between the analog space in the studio and the digital space, with its many derivatives.
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